Thursday, February 25, 2010
Sunday, April 26, 2009
Sunday, August 31, 2008
Digital Glossary
Digital Glossary
Digital imaging is the next, logical extension of the same type of camera and darkroom techniques that photographers have been using for 150 years. The tools used for digital imaging may appear to be different, but they are no more of a radical change than what late 19th century daguerreotypists encountered when they switched from silver plated copper sheets to glass plate negatives.
Like other disciplines, photography has its share of jargon. As photographers we "shoot" brides and kids, "bracket" these shots, and apply "Zone IV" interpretations to an image on "sheet" film that�s processed using "N+1" development. Part of the problem of understanding digital imaging concepts--like much of computing--boils down to semantics. Digital imaging uses a combination of buzzwords that have been borrowed from the printing, design, and photographic fields, liberally blended with a sprinkling of computer jargon.
Joe Farace�s book, The Digital Imaging Dictionary, is published by Allworth Press. It is available in bookstores or order directly from the publisher. You can contact them at (800) 247-6553 or their web site at: www.allworth.com
Here�s an abbreviated look at some common digital imaging terms.
Access Time: The performance of fixed or removable drives is measured by seek time or the amount of time required for the arm of a direct access storage device to position itself over the track where the required information is stored on the disc.
ADB: Apple Desktop Bus. The Mac OS communications port that is used for keyboards, mice, trackballs, graphics tablets, joysticks, and other input devices.
Alpha Channel: This is a separate image channel that is added to the traditional red, green, and blue channels and contains a value that indicates the amount of transparency for each pixel.
Analog: Information presented in continuous form, corresponding to a representation of the "real world." A traditional photographic print is an analog form, but when this same image is scanned and converted into digital form, it is made up of bits.
Archive: To copy any kind of data from the media it is currently stored on (typically a hard disk) onto a removable media cartridge or tape for back-up purposes. Archive and back-up software often compress the data to maximize the capacity of that storage media.
ASCII: American Standard Code for Information Interchange. ASCII is a standardized computer code for representing text data. The code has 96 displayed characters (characters you see on the screen) and 32 non-displayed characters (some of which you can see, others that you can�t).
Binary: A mathematical system based on the numbers one and zero. This is ideal for computers, because electrical signals can be represented by electrical current being positive and negative, on and off.
Bit: Binary digit. The smallest unit of information with which a computer can work. Computers are digital devices because they represent all data--including photographs--using numbers, or digits, that are measured in bits.
Bit Depth: This refers to the number of bits that are assigned to each pixel in an image. The more bits you have, the more photo-realistic the screen image will be. Let�s look at the typical choices in bit depth for computer screens:
1-bit: If a computer has the ability to display 1-bit per pixel, each pixel can either be black or white.
4-bit: Some computers, especially laptops, offer 4-bit video capability, which translates into 16 shades of gray or color.
8-bit: With an 8-bit color depth, you can see 256 colors or levels of gray. An 8-bit system can work well for black and white photographs, but is just barely adequate for critical evaluation of a color photograph.
16-bit: This bit depth has the potential to display 32,000 different colors. At 16-bits and above, the video signal must split into thirds, providing one each for the red, blue, and green channels. Your computer devotes 15 bits to color (5 bits per color channel) and the one remaining bit is used to overlay all these colors.
24-bit: Each pixel on a screen can handle up to 256 colors, which lets systems display 16.7 million colors. A 24-bit model provides true photographic quality.
32-bit: Often when someone is talking about 32-bit color, they really mean 24-bit. Only a few computers offer 32-bit capabilities.
Since 256 levels of gray are displayed on an 8-bit system, that�s all you really need when working with black and white digital photographs, but if you plan on working with color images, you should use a computer that has a 24-bit display.
Bitmap: There are three classes of graphic files: bitmap, metafile, and vector. A bitmap (sometimes known as "raster") is any graphic image composed of a collection of tiny individual dots or pixels--one for every point or dot on a computer screen.
BMP: Short for bitmap. A Win-dows based digital image format, BMP--often pronounced "bump"-- is really a file extension for a specific kind of bitmapped graphics file.
Bundle: Part of a software or hardware package, which may or may not be a good deal. When you purchase a product that�s packaged with a product from another company at no additional cost, the extra product is considered to be "bundled" with the main product.
Byte: Each electronic signal is one bit, but to represent more complex numbers or images, computers combine these signals into larger 8-bit groups called bytes. When 1024 (not 1000) bytes are combined, you get a kilobyte, often called K.
Calibration: A term used in Color Management Systems (CMS). Calibration stabilizes the inevitable variables in the way devices reproduces color. To produce optimum results, all color-reproducing devices must maintain a consistent, calibrated state.
CCD: A Charge-Coupled Device is the same kind of light gathering device used in flat-bed scanners, digital cameras, and even video camcorders to convert the light passing through the lens into an electronic equivalent of the original image. These images become digitized by the CCD device.
CD-ROM: Compact Disc Read Only Memory. This is a disc that resembles a musical compact disk but can contains all kinds of data--including photographs.
CD-R: Compact Disc Recordable
CD-RW: Compact Disk Re-Writable
CEPS: Color Electronic Publishing Systems
Characterization: A Color Man-agement System (CMS) term that establishes the relationship of your calibrated device to what is referred to as a device independent Reference Color Space or RCS.
Clipping Path: A path is a series of line segments connected by endpoints. Paths are created by the pen tool and can be reshaped and moved--even exported to other files or programs. Clipping paths silhouette an area to mask out the background, so only that part of the images within the path appears when the image is placed in another program or combined with another image file.
CLUT: Color Look Up Table. A table--it can be in hardware or software form--that contains information on the mixing of red, green and blue color intensity in a palette.
Compression: Compression is a method of removing unneeded data to make a file smaller without losing any data, or in the case of a photographic file, image quality. There are many techniques and technologies for compressing graphics and how well each works depends on what is more important to you: file size or image quality.
CPU: Central Processing Unit. There are two basic families of CPUs: Intel and Motorola. Intel and similar chips are used in IBM-compatible PCs, while Motorola makes the chips for Mac OS machines. How well a chip processes data is determined by how many bits of information it can process at one time. The larger the number of bits a chip can process simultaneously, the faster it can process.
DCS: Desktop Color Separation. The QuarkXPress format for defining color separated output using a personal computer.
DCT: Discrete Cosine Transform. This is an algorithm that converts data--including pixels--into sets of frequencies. The first frequencies appearing in the set are the most meaningful; the latter, are the least. For compression purposes, such as JPEG and MPEG, the latter frequencies are removed on the basis on allowable resolution loss.
Despeckle: A feature of image-editing programs, and some plug-ins (e.g. Extensis Intellihance) that detects the edges of an image--the place where significant color changes occur--and blurs a selection except the edges. This has the effect of removing noise while preserving detail.
Device Resolution: Refers to the number of dots per inch (dpi) that any given device, such as a monitor or printer, can produce. Screen resolution for computer monitors varies from 60-120dpi. Don�t confuse this with line screen, which refers to the number of lines per inch (lpi) in the screen used by printers to reproduce a photograph.
Dither: A graphics display or printing process that uses a combination of dots or textures to create the impression of a continuous tone gray scale or color image.
DOS: Disc Operating System. The official name of the Microsoft Disk Operating System is MS-DOS but is often referred to as simply DOS. The IBM-PC version is called PC-DOS, or just DOS.
DRAM: Dynamic Random Access Memory
Dynamic Range: One key feature to look for in a scanner or digital camera is its dynamic range. A scanner�s dynamic range depends on the maximum optical density that can be achieved and the number of bits captured. In simple terms, the greater the density range the better the scanner.
DVD: Digital Versatile Disc, sometimes referred to as Digital Video Disc.
EDO DRAM: Extended Data Out-put DRAM is popular in Windows based computers. EDO DRAM sends our data--even if a controller loads more data in vacant addresses.
EMF: Electromagnetic Field. If you spend more than a few hours at your computer a day you should be aware of the potential problems caused by the electromagnetic fields that computer monitors produce. All monitors emit some kind of Very Low Fre-quency (VLF) and Extremely Low Frequency (ELF) radiation, and color monitors emit more than monochromatic ones.
FAQ: Frequently Asked Questions. A term, often found on web home pages, that will lead you to a page containing the most frequently asked questions visitors to the web site may have.
FPM DRAM: Fast Page Mode DRAM is the most common type that is used in Mac OS systems because it speeds the overall readout of data but does introduce a wait state.
Gamma: All photographs have a characteristic called gamma. The amount of gamma present in an image is measured as the contrast that affects the mid-level grays (the mid tones) of an image. The good news for digital imagers is that this gamma is adjustable by most image-enhancement programs, and you aren�t stuck with the gamma that is present in the original negative or print.
Gamut: Every output device (e.g., a printer or monitor) has a range of colors that it can accurately reproduce. This range is called the gamut of the device. Every device from every manufacturer, whether it is a monitor or printer, has a unique gamut.
Gaussian Blur: Photoshop�s blurring filter gets its name from the fact that it maps revised pixel color values according to a Gaussian curve. A Gaussian curve is typically used to represent a normal or statistically probable outcome for a random distribution of events and is often shown as a bell shaped curve.
GIF: (Pronounced like the peanut butter.) Graphic Interchange Format developed by CompuServe is completely platform independent: the same bitmapped file created on a Mac OS computer is readable by a Windows graphics program. A 256 color GIF file is automatically compressed making it ideal for use on the World Wide Web.
Gigabyte: A billion bytes or (more correctly) 1024 megabytes
Gray Scale: Refers to a series of gray tones ranging from white to pure black. The more shades or levels of gray, the more accurately an image will look like a full-toned black and white photograph. Most scanners will scan from 16-256 gray levels. A gray scale image file is typically 1/3 the size of a color one.
GUI: Graphic User Interface
HTML: HyperText Markup Lan-guage, a format used on World Wide Web home pages on the Internet that uses multimedia techniques to make the web easy to browse.
Image Resolution: Refers to the amount of information stored in a photograph and is typically expressed in pixels or dots per inch (dpi). The image resolution of a photograph determines how big the file is. The important thing to remember is that the higher the image resolution, the more disk space it takes and the longer it will take to print or image.
Ink Jet: In an ink jet printer, a print head sprays one or more colors of ink onto paper to produce output, and the type of methods used to accomplish this has an effect on output quality.
Interlaced GIF: (See GIF.) The interlaced version stores rows of bitmapped data out of order: All of the even numbered rows are stored first and all of the odd rows are stored last. Interlaced GIF uses a four pass interlacing. The first pass starts at row zero and reads every eighth row of bitmap information. The second pass starts on the fourth row and reads every fourth row. The third pass starts on the second row and reads every second row while the last pass starts with the first row and reads every second row.
ISP: Internet Service Providers. Companies that offer direct access to the Internet through local or toll free telephone connections. This includes companies such as CompuServe, America Online, as well as a plethora of local operations that often provide service at a flat ("all you can eat") rate.
JPEG: An acronym for a compressed graphics format created by the Joint Photographic Experts Group, within the International Standards Organization. JPEG achieves compression by breaking an image into discrete blocks of pixels, which are then divided in half until a compression ratio of 10:1-100:1 is achieved. The greater the compression ratio, the greater loss of sharpness you can expect.
K: In the computer world, K stands for two to the 10th power, or 1024. A Kilobyte (or KB) is, therefore, not 1000 bytes but is 1024 bytes.
Layer: In image enhancement programs like Adobe Photoshop, layers are any one of several on-screen independent levels for creating separate, but cumulative, effects for an individual photograph. Layers can be manipulated independently and the sum of all the individual effects on each layer make up what you see as the final image.
LUT: Color Look Up Table. A table--it can be in hardware or software form--that contains informat
Digital imaging is the next, logical extension of the same type of camera and darkroom techniques that photographers have been using for 150 years. The tools used for digital imaging may appear to be different, but they are no more of a radical change than what late 19th century daguerreotypists encountered when they switched from silver plated copper sheets to glass plate negatives.
Like other disciplines, photography has its share of jargon. As photographers we "shoot" brides and kids, "bracket" these shots, and apply "Zone IV" interpretations to an image on "sheet" film that�s processed using "N+1" development. Part of the problem of understanding digital imaging concepts--like much of computing--boils down to semantics. Digital imaging uses a combination of buzzwords that have been borrowed from the printing, design, and photographic fields, liberally blended with a sprinkling of computer jargon.
Joe Farace�s book, The Digital Imaging Dictionary, is published by Allworth Press. It is available in bookstores or order directly from the publisher. You can contact them at (800) 247-6553 or their web site at: www.allworth.com
Here�s an abbreviated look at some common digital imaging terms.
Access Time: The performance of fixed or removable drives is measured by seek time or the amount of time required for the arm of a direct access storage device to position itself over the track where the required information is stored on the disc.
ADB: Apple Desktop Bus. The Mac OS communications port that is used for keyboards, mice, trackballs, graphics tablets, joysticks, and other input devices.
Alpha Channel: This is a separate image channel that is added to the traditional red, green, and blue channels and contains a value that indicates the amount of transparency for each pixel.
Analog: Information presented in continuous form, corresponding to a representation of the "real world." A traditional photographic print is an analog form, but when this same image is scanned and converted into digital form, it is made up of bits.
Archive: To copy any kind of data from the media it is currently stored on (typically a hard disk) onto a removable media cartridge or tape for back-up purposes. Archive and back-up software often compress the data to maximize the capacity of that storage media.
ASCII: American Standard Code for Information Interchange. ASCII is a standardized computer code for representing text data. The code has 96 displayed characters (characters you see on the screen) and 32 non-displayed characters (some of which you can see, others that you can�t).
Binary: A mathematical system based on the numbers one and zero. This is ideal for computers, because electrical signals can be represented by electrical current being positive and negative, on and off.
Bit: Binary digit. The smallest unit of information with which a computer can work. Computers are digital devices because they represent all data--including photographs--using numbers, or digits, that are measured in bits.
Bit Depth: This refers to the number of bits that are assigned to each pixel in an image. The more bits you have, the more photo-realistic the screen image will be. Let�s look at the typical choices in bit depth for computer screens:
1-bit: If a computer has the ability to display 1-bit per pixel, each pixel can either be black or white.
4-bit: Some computers, especially laptops, offer 4-bit video capability, which translates into 16 shades of gray or color.
8-bit: With an 8-bit color depth, you can see 256 colors or levels of gray. An 8-bit system can work well for black and white photographs, but is just barely adequate for critical evaluation of a color photograph.
16-bit: This bit depth has the potential to display 32,000 different colors. At 16-bits and above, the video signal must split into thirds, providing one each for the red, blue, and green channels. Your computer devotes 15 bits to color (5 bits per color channel) and the one remaining bit is used to overlay all these colors.
24-bit: Each pixel on a screen can handle up to 256 colors, which lets systems display 16.7 million colors. A 24-bit model provides true photographic quality.
32-bit: Often when someone is talking about 32-bit color, they really mean 24-bit. Only a few computers offer 32-bit capabilities.
Since 256 levels of gray are displayed on an 8-bit system, that�s all you really need when working with black and white digital photographs, but if you plan on working with color images, you should use a computer that has a 24-bit display.
Bitmap: There are three classes of graphic files: bitmap, metafile, and vector. A bitmap (sometimes known as "raster") is any graphic image composed of a collection of tiny individual dots or pixels--one for every point or dot on a computer screen.
BMP: Short for bitmap. A Win-dows based digital image format, BMP--often pronounced "bump"-- is really a file extension for a specific kind of bitmapped graphics file.
Bundle: Part of a software or hardware package, which may or may not be a good deal. When you purchase a product that�s packaged with a product from another company at no additional cost, the extra product is considered to be "bundled" with the main product.
Byte: Each electronic signal is one bit, but to represent more complex numbers or images, computers combine these signals into larger 8-bit groups called bytes. When 1024 (not 1000) bytes are combined, you get a kilobyte, often called K.
Calibration: A term used in Color Management Systems (CMS). Calibration stabilizes the inevitable variables in the way devices reproduces color. To produce optimum results, all color-reproducing devices must maintain a consistent, calibrated state.
CCD: A Charge-Coupled Device is the same kind of light gathering device used in flat-bed scanners, digital cameras, and even video camcorders to convert the light passing through the lens into an electronic equivalent of the original image. These images become digitized by the CCD device.
CD-ROM: Compact Disc Read Only Memory. This is a disc that resembles a musical compact disk but can contains all kinds of data--including photographs.
CD-R: Compact Disc Recordable
CD-RW: Compact Disk Re-Writable
CEPS: Color Electronic Publishing Systems
Characterization: A Color Man-agement System (CMS) term that establishes the relationship of your calibrated device to what is referred to as a device independent Reference Color Space or RCS.
Clipping Path: A path is a series of line segments connected by endpoints. Paths are created by the pen tool and can be reshaped and moved--even exported to other files or programs. Clipping paths silhouette an area to mask out the background, so only that part of the images within the path appears when the image is placed in another program or combined with another image file.
CLUT: Color Look Up Table. A table--it can be in hardware or software form--that contains information on the mixing of red, green and blue color intensity in a palette.
Compression: Compression is a method of removing unneeded data to make a file smaller without losing any data, or in the case of a photographic file, image quality. There are many techniques and technologies for compressing graphics and how well each works depends on what is more important to you: file size or image quality.
CPU: Central Processing Unit. There are two basic families of CPUs: Intel and Motorola. Intel and similar chips are used in IBM-compatible PCs, while Motorola makes the chips for Mac OS machines. How well a chip processes data is determined by how many bits of information it can process at one time. The larger the number of bits a chip can process simultaneously, the faster it can process.
DCS: Desktop Color Separation. The QuarkXPress format for defining color separated output using a personal computer.
DCT: Discrete Cosine Transform. This is an algorithm that converts data--including pixels--into sets of frequencies. The first frequencies appearing in the set are the most meaningful; the latter, are the least. For compression purposes, such as JPEG and MPEG, the latter frequencies are removed on the basis on allowable resolution loss.
Despeckle: A feature of image-editing programs, and some plug-ins (e.g. Extensis Intellihance) that detects the edges of an image--the place where significant color changes occur--and blurs a selection except the edges. This has the effect of removing noise while preserving detail.
Device Resolution: Refers to the number of dots per inch (dpi) that any given device, such as a monitor or printer, can produce. Screen resolution for computer monitors varies from 60-120dpi. Don�t confuse this with line screen, which refers to the number of lines per inch (lpi) in the screen used by printers to reproduce a photograph.
Dither: A graphics display or printing process that uses a combination of dots or textures to create the impression of a continuous tone gray scale or color image.
DOS: Disc Operating System. The official name of the Microsoft Disk Operating System is MS-DOS but is often referred to as simply DOS. The IBM-PC version is called PC-DOS, or just DOS.
DRAM: Dynamic Random Access Memory
Dynamic Range: One key feature to look for in a scanner or digital camera is its dynamic range. A scanner�s dynamic range depends on the maximum optical density that can be achieved and the number of bits captured. In simple terms, the greater the density range the better the scanner.
DVD: Digital Versatile Disc, sometimes referred to as Digital Video Disc.
EDO DRAM: Extended Data Out-put DRAM is popular in Windows based computers. EDO DRAM sends our data--even if a controller loads more data in vacant addresses.
EMF: Electromagnetic Field. If you spend more than a few hours at your computer a day you should be aware of the potential problems caused by the electromagnetic fields that computer monitors produce. All monitors emit some kind of Very Low Fre-quency (VLF) and Extremely Low Frequency (ELF) radiation, and color monitors emit more than monochromatic ones.
FAQ: Frequently Asked Questions. A term, often found on web home pages, that will lead you to a page containing the most frequently asked questions visitors to the web site may have.
FPM DRAM: Fast Page Mode DRAM is the most common type that is used in Mac OS systems because it speeds the overall readout of data but does introduce a wait state.
Gamma: All photographs have a characteristic called gamma. The amount of gamma present in an image is measured as the contrast that affects the mid-level grays (the mid tones) of an image. The good news for digital imagers is that this gamma is adjustable by most image-enhancement programs, and you aren�t stuck with the gamma that is present in the original negative or print.
Gamut: Every output device (e.g., a printer or monitor) has a range of colors that it can accurately reproduce. This range is called the gamut of the device. Every device from every manufacturer, whether it is a monitor or printer, has a unique gamut.
Gaussian Blur: Photoshop�s blurring filter gets its name from the fact that it maps revised pixel color values according to a Gaussian curve. A Gaussian curve is typically used to represent a normal or statistically probable outcome for a random distribution of events and is often shown as a bell shaped curve.
GIF: (Pronounced like the peanut butter.) Graphic Interchange Format developed by CompuServe is completely platform independent: the same bitmapped file created on a Mac OS computer is readable by a Windows graphics program. A 256 color GIF file is automatically compressed making it ideal for use on the World Wide Web.
Gigabyte: A billion bytes or (more correctly) 1024 megabytes
Gray Scale: Refers to a series of gray tones ranging from white to pure black. The more shades or levels of gray, the more accurately an image will look like a full-toned black and white photograph. Most scanners will scan from 16-256 gray levels. A gray scale image file is typically 1/3 the size of a color one.
GUI: Graphic User Interface
HTML: HyperText Markup Lan-guage, a format used on World Wide Web home pages on the Internet that uses multimedia techniques to make the web easy to browse.
Image Resolution: Refers to the amount of information stored in a photograph and is typically expressed in pixels or dots per inch (dpi). The image resolution of a photograph determines how big the file is. The important thing to remember is that the higher the image resolution, the more disk space it takes and the longer it will take to print or image.
Ink Jet: In an ink jet printer, a print head sprays one or more colors of ink onto paper to produce output, and the type of methods used to accomplish this has an effect on output quality.
Interlaced GIF: (See GIF.) The interlaced version stores rows of bitmapped data out of order: All of the even numbered rows are stored first and all of the odd rows are stored last. Interlaced GIF uses a four pass interlacing. The first pass starts at row zero and reads every eighth row of bitmap information. The second pass starts on the fourth row and reads every fourth row. The third pass starts on the second row and reads every second row while the last pass starts with the first row and reads every second row.
ISP: Internet Service Providers. Companies that offer direct access to the Internet through local or toll free telephone connections. This includes companies such as CompuServe, America Online, as well as a plethora of local operations that often provide service at a flat ("all you can eat") rate.
JPEG: An acronym for a compressed graphics format created by the Joint Photographic Experts Group, within the International Standards Organization. JPEG achieves compression by breaking an image into discrete blocks of pixels, which are then divided in half until a compression ratio of 10:1-100:1 is achieved. The greater the compression ratio, the greater loss of sharpness you can expect.
K: In the computer world, K stands for two to the 10th power, or 1024. A Kilobyte (or KB) is, therefore, not 1000 bytes but is 1024 bytes.
Layer: In image enhancement programs like Adobe Photoshop, layers are any one of several on-screen independent levels for creating separate, but cumulative, effects for an individual photograph. Layers can be manipulated independently and the sum of all the individual effects on each layer make up what you see as the final image.
LUT: Color Look Up Table. A table--it can be in hardware or software form--that contains informat
Sunday, August 3, 2008
Monday, July 14, 2008
Tuesday, July 1, 2008
Nikon Speedlight SB-900
Nikon Speedlight SB-900
July 1, 2008
Advanced, high-performance Speedlight for Nikon digital SLR cameras
TOKYO – Nikon Corporation is pleased to announce the introduction of the Nikon Speedlight SB-900, a new external i-TTL flash unit with advanced features. The SB-900 offers a powerful guide number of 48/157.5 (ISO 200, meters/feet) and an incredible array of creative flash functions. The SB-900 is an ideal way to solve lighting challenges and extend Nikon D-SLR creativity.
The SB-900 is a high-performance Speedlight developed as the successor to the hugely successful Nikon SB-800. Practical functionality was emphasized in designing the SB-900, especially evident when used with Nikon digital SLR cameras compatible with the Nikon Creative Lighting System. It provides a wide 17-200 mm auto zoom range (expanded from the SB-800’s 24-105mm), three illumination patterns, newly designed, streamlined operation with a full-information LCD panel, and AF-Assist illumination compatible with new-generation AF sensors. The SB-900 has an improved booster circuit for high-speed recycle time. In addition, firmware can be uploaded via a Nikon digital SLR camera—a world’s first* for flash units, assuring that the SB-900 can accept technological advancements. The SB-900 serves as the new core for the Nikon Creative Lighting System when used in combination with current Nikon digital SLRs, and it supports Advanced Wireless Lighting as a master or a remote Speedlight, inviting photographers to explore the many creative possibilities.
Additional new functions include 180 degrees of left or right head swivel, a special built-in overheat protection system and automatic filter detection for unprecedented white balance correction, even in fluorescent lighting conditions.
With the SB-900, users can enjoy all the benefits of the Nikon Creative Lighting System for both automation and comprehensive control, enabling endless lighting possibilities.
*The world’s first flash unit with a user-applied firmware update function via a digital SLR camera as of July 1, 2008 (according to research conducted by NIKON CORPORATION).
Note: Specifications, design, product name, standard accessories and release schedule may differ by country or region
Nikon Speedlight SB-900 Major Features
- Multi-step auto zoom covers wide 17-200mm zoom range (24-105mm：SB-800)
- Three illumination patterns (standard, center-weighted and even) are available to match each shooting environment
- Automatically detects Nikon FX and Nikon DX formats and selects suitable light distribution
- Improved booster circuit for high-speed recycle time: Recycle time using four AA-size batteries is almost equal to the SB-800 with five AA-size batteries
- New AF-Assist illumination covers a wide 20-105 mm focal range compatible with the new Multi-CAM3500 FX/DX AF sensor
- Firmware update via Nikon D3 and D700 is possible (world’s first*)
- Thermal Cut-out function limits the number of flashes to avoid deterioration of light emitting parts caused by continuous flash firing
- Automatically detects color filters (fluorescent or incandescent), enabling camera to control color temperature according to filter information from SB-900
- Improved switch panel for enhanced usability
- Improved GUI using a large-size LCD dot panel
- Bounce capability: tilts up to 90º, down to -7º, rotates horizontally 180º to right and left
- Advanced Wireless Lighting and versatile functions for up to three remote groups of SB-900s or other compatible Speedlight controlled through the master SB-900
- Optional Water Guard WG-AS1 (for D3), WG-AS2 (for D300), and WG-AS3 (for D700) is useful for protecting the camera's hot shoe contact when the SB-900 is mounted on these Nikon digital SLR cameras
*The world’s first flash unit firmware update function via a digital SLR camera as of July 1, 2008 (according to research conducted by NIKON CORPORATION).
Speedlight SB-900 Specifications
| Electronic construction | Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Guide number (20°C/68°F) | 34/111.5 (ISO 100, m/ft), 48/157.5 (ISO 200, m/ft) | |||||||||||||||
| Illumination pattern | Three illumination patterns: standard, even and center-weighted The light distribution angle is automatically adjusted to the camera’s image area in both FX and DX formats | |||||||||||||||
| Flash shooting distance range | 0.6 m to 20 m (2 to 66 ft) (varies depending on camera image area setting, illumination pattern, ISO sensitivity, zoom position, and lens aperture) | |||||||||||||||
| Flash mode | TTL, Auto Aperture flash, Non-TTL auto flash, Distance-priority manual flash, Manual flash, Repeating flash | |||||||||||||||
| Other functions | Test firing, monitor pre-flashes, AF-assist illuminator, and Modeling illuminator | |||||||||||||||
| Multiple flash operation | Advanced Wireless Lighting, SU-4 type wireless multiple flash | |||||||||||||||
| Compatible cameras | All cameras compatible with Nikon Creative Lighting System (other cameras can be used but functionality is reduced) | |||||||||||||||
| Flash exposure control set on the camera | Camera’s sync modes: Slow-sync, Red-eye reduction in slow-sync, Rear-curtain sync, Rear-curtain slow-sync Shooting functions: Auto FP High-Speed sync, FV Lock flash | |||||||||||||||
| Bounce capability | Flash head tilts down to -7° or up to 90° with click-stops at -7°, 0°, 45°, 60°, 75°, 90° Flash head rotates horizontally 180° to the left and right with click-stops at 0°, 30°, 60°, 90°, 120°, 150°, 180° | |||||||||||||||
| ON/OFF | Press the Power ON-OFF switch to turn the SB-900 on or off Standby function can be set | |||||||||||||||
| Power source/min. recycle time/no. of flashes (at full output) With fresh batteries (These data may vary depending on battery condition) | ||||||||||||||||
Four AA-size penlight batteries (1.5V or lower) of the following types:
* When firing the Speedlight at full output once every 30 seconds (120 seconds with lithium batteries.) | ||||||||||||||||
| Ready light | The SB-900 is fully recycled: Rear ready-light lights up and front light blinks Insufficient light for correct exposure (in i-TTL, Auto Aperture flash, Non-TTL Auto flash, or Distance-priority manual flash operations): ready-lights and front lights blink after shooting | |||||||||||||||
| Flash duration | Approx. 1/880 sec. at full output | |||||||||||||||
| Mounting foot lock lever | Provides secure attachment of SB-900 to camera’s accessory shoe using locking plate and mount pin to prevent accidental detachment. | |||||||||||||||
| Dimensions (W x H x D) | Approx. 78.0 x146.0 x 118.5 mm (3.0 x 5.7 x 4.7 in.) | |||||||||||||||
| Weight (without batteries) | Approx. 415 g (14.6 oz.) | |||||||||||||||
| Supplied accessories | Speedlight Stand AS-21, Nikon Diffusion Dome SW-13H, Color Filter Set SJ-900, Color Filter Holder SZ-2, Soft Case SS-900 | |||||||||||||||
| Optional accessories | Color Filter Set SJ-3, Water Guard WG-AS1/WG-AS2/WG-AS3, High-Performance Battery Pack SD-9, Wireless Slave Flash Controller SU-4, TTL Remote Cord SC-28/SC-29 | |||||||||||||||
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